{"id":2,"date":"2014-07-11T06:39:17","date_gmt":"2014-07-11T06:39:17","guid":{"rendered":"https:\/\/ipsrv02.ip.co.at\/janinabaechle.com\/?page_id=2"},"modified":"2026-03-02T10:20:23","modified_gmt":"2026-03-02T08:20:23","slug":"beispiel-seite","status":"publish","type":"page","link":"https:\/\/www.janinabaechle.com\/","title":{"rendered":"Janina Baechle &#8211; Mezzosopran"},"content":{"rendered":"<div id='layer_slider_1' class='avia-layerslider main_color avia-shadow  avia-builder-el-0  el_before_av_two_third  avia-builder-el-first  container_wrap sidebar_right' style='  height: 541px;' ><\/div><div id='after_layer_slider_1' class='main_color av_default_container_wrap container_wrap sidebar_right' style=' '  ><div class='container' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-2'><div class='entry-content-wrapper clearfix'>\n<div class=\"flex_column av_two_third  flex_column_div first  avia-builder-el-1  el_after_av_layerslider  el_before_av_one_third  avia-builder-el-first  \" ><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h3 style=\"text-align: center;\">Januar 2026 &#8211; Op\u00e9ra National du Capitole de Toulouse<\/h3>\n<p style=\"text-align: center;\">Franz\u00f6sische Erstauff\u00fchrung von Mycieslaw Weinbergs &#8222;Die Passagierin &#8220; \/&#8220;La Passag\u00e8re &#8220; &#8211; Bronka (Szenenfotos <a href=\"https:\/\/www.janinabaechle.com\/?page_id=75\">hier<\/a>)<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/classictoulouse.fr\/opera\/la-passagere-au-capitole-les-abimes-du-remords\/\" target=\"_blank\" rel=\"noopener\">Artikel in Classic Toulouse<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.ladepeche.fr\/2026\/01\/26\/dauschwitz-au-capitole-la-creation-francaise-de-lopera-la-passagere-bouleverse-les-spectateurs-a-toulouse-13186317.php\" target=\"_blank\" rel=\"noopener\">Artikel in La Depeche<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.diapasonmag.fr\/critiques\/la-passagere-de-weinberg-a-toulouse-un-voyage-au-bout-de-la-nuit-61805.html#item=1\" target=\"_blank\" rel=\"noopener\">Artikel in Diapason<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.olyrix.com\/articles\/production\/8771\/la-passagere-mieczyslaw-weinberg-opera-national-theatre-capitole-de-toulouse-article-critique-compte-rendu-orchestre-choeur-francesco-angelico-johannes-reitmeier-morel-hernandez-stefanoff-timoshenko-laborie-bunel-polchlopek-laulan-23-janvier-2026\" target=\"_blank\" rel=\"noopener\">Artikel auf Olyrix.com<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.concertclassic.com\/article\/la-passagere-de-mieczyslaw-weinberg-en-creation-francaise-au-capitole-de-toulouse-jusquau-29\" target=\"_blank\" rel=\"noopener\">Artikel auf concertclassic.com<\/a><\/p>\n<div  class='hr hr-short hr-center   avia-builder-el-3  el_before_av_hr  avia-builder-el-first '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3 style=\"text-align: center;\">3. M\u00e4rz 2025 &#8211; Staatstheater Kassel, 5. Sinfoniekonzert<\/h3>\n<p style=\"text-align: center;\"><strong>Dmitri Schostakowitsch<br \/>\n<\/strong>Sechs Gedichte nach Worten von Marina Zwetajewa op. 143a<br \/>\nJanina Baechle, Mezzosopran \/ Francesco Angelico, Dirigent<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.staatstheater-kassel.de\/play\/5.sinfoniekonzert-3112\" target=\"_blank\" rel=\"noopener\">https:\/\/www.staatstheater-kassel.de\/play\/5.sinfoniekonzert-3112<\/a><\/p>\n<div  class='hr hr-short hr-center   avia-builder-el-4  el_after_av_hr  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3 style=\"text-align: center;\">&#8222;Janina Baechle ist mit ihrer dunklen Stimme perfekt als Genevi\u00e8ve&#8220;<\/h3>\n<p style=\"text-align: center;\"><em>forumopera.com \/ Mai 2024 \/ DEBUSSY, Pell\u00e9as und M\u00e9lisande \u2013 Toulouse<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.forumopera.com\/spectacle\/debussy-pelleas-et-melisande-toulouse\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.forumopera.com\/spectacle\/debussy-pelleas-et-melisande-toulouse\/<\/a><\/p>\n<div  class='hr hr-short hr-center   avia-builder-el-5  el_after_av_hr  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3 style=\"text-align: center;\">&#8222;Janina Baechle verleiht der Arie der Genevi\u00e8ve einen deklamierten Gesang, der von Menschlichkeit durchdrungen ist.&#8220;<\/h3>\n<p style=\"text-align: center;\"><em> R\u00e9sonances Lyriques \/ Mai 2024 \/ DEBUSSY, Pell\u00e9as und M\u00e9lisande \u2013 Toulouse<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/resonances-lyriques.org\/toulouse-theatre-du-capitole-pelleas-et-melisande-debussy\/\" target=\"_blank\" rel=\"noopener\">Link<\/a> zum kompletten Artikel<\/p>\n<p style=\"text-align: center;\">\n<div  class='hr hr-short hr-center   avia-builder-el-6  el_after_av_hr  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><\/p>\n<h3 style=\"text-align: center;\">&#8222;Janina Baechle, die perfekte Genevi\u00e9ve, deren blo\u00dfe Anwesenheit auf der B\u00fchne die Figur sofort in den Vordergrund r\u00fcckt.&#8220;<\/h3>\n<p style=\"text-align: center;\"><em>culture31.com \/ Mai 2024 \/ DEBUSSY, Pell\u00e9as und M\u00e9lisande \u2013 Toulouse<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/blog.culture31.com\/2024\/05\/21\/ici-le-temps-devient-espace\/\" target=\"_blank\" rel=\"noopener\">Link<\/a> zum Blog<\/p>\n<div  class='hr hr-short hr-center   avia-builder-el-7  el_after_av_hr  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3 style=\"text-align: center;\">&#8222;Above all, it was Janina Baechle&#8217;s grandmother who brought humanity to the staging. She sang with warmth and generosity throughout.&#8220;<\/h3>\n<p style=\"text-align: center;\"><em>operatraveller 13.01.2024 Jenufa Hamburg<\/em><\/p>\n<div  class='hr hr-short hr-center   avia-builder-el-8  el_after_av_hr  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3 style=\"text-align: center;\">&#8222;Jenufa&#8220; Produktion an der Staatsoper Hamburg<\/h3>\n<h4 style=\"text-align: center;\">Mit 4 Vorstellungen der schon legend\u00e4ren &#8222;Jenufa&#8220; Produktion von Olivier Tambosi begann das Jahr 2024 an der Hamburger Staatsoper.<\/h4>\n<h4 style=\"text-align: center;\">Unter der Leitung von Tomas Netopil als Alte Burja neben Laura Wilde, Eliska Weiss, Clay Hilley und Dovlet Nurgeldijev a. 6.\/9-\/11. und 13. Januar 2024.<\/h4>\n<div  class='hr hr-short hr-center   avia-builder-el-9  el_after_av_hr  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3 style=\"text-align: center;\">ORDRE DES ARTS ET DES LETTRES<\/h3>\n<h4 style=\"text-align: center;\">Janina Baechle ist es eine besondere Freude und Ehre mitzuteilen, dass sie vom franz\u00f6sischen Kultusministerium f\u00fcr ihre Verdienste zur Ausstrahlung der K\u00fcnste in Frankreich und in der Welt mit dem Chevalier dans l&#8217;Ordre des Arts et des Lettres ausgezeichnet wurde.<\/h4>\n<p><a href=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-850 aligncenter\" src=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg\" alt=\"\" width=\"297\" height=\"360\" srcset=\"https:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg 400w, https:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre-247x300.jpg 247w\" sizes=\"auto, (max-width: 297px) 100vw, 297px\" \/><\/a><\/p>\n<div  class='hr hr-short hr-center   avia-builder-el-10  el_after_av_hr  avia-builder-el-last '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3>Ring in Minden<\/h3>\n<p>Der Ring in Minden: <a href=\"http:\/\/www.ring-in-minden.de\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.ring-in-minden.de\/<\/a><\/p>\n<p>Auszug aus dem Artikel und den Kritiken zum Ring auf IOCO (Patrik Klein):<br \/>\n<em>&#8222;Im Forte geht es wieder hinauf in die G\u00f6tterwelt, wo die finale Szene mit der Weichenstellung f\u00fcr das Ende der Tetralogie stattfindet. Die Urmutter Erda, wiederum mit schwarzen T\u00fcchern aus dem Nichts hervorgezaubert, erscheint im wei\u00dfen T\u00fcchergewand mit Gehstock und warnt die beteiligten G\u00f6tter vor der G\u00f6tterd\u00e4mmerung. <strong>Janina Baechle<\/strong>, die deutsche Mezzosopranistin mit Erfahrungen an den gro\u00dfen H\u00e4usern Europas, gibt eine dunkel-warm-timbrierte Erda der Sonderklasse. Man darf sich angesichts dieser musikalischen Interpretation nur wundern, dass niemand in der Runde auf sie h\u00f6ren wird und das Ende absehbar kommt.&#8220;<\/em><\/p>\n<p>Lesen Sie <a href=\"https:\/\/www.ioco.de\/2019\/09\/14\/minden-stadttheater-minden-rheingold-der-ring-des-nibelungen-ioco-kritik-14-09-2019\/?fbclid=IwAR2NofycNLwHpjQx0jf4AvXWsJ7ONgusTKDdSCD0J959H9lZcf4xXyrXBqA\" target=\"_blank\" rel=\"noopener\">hier<\/a> den kompletten Artikel.<\/p>\n<h3>Ariane et Barbe Bleu<\/h3>\n<p><a href=\"https:\/\/mobile.france.tv\/spectacles-et-culture\/963573-ariane-et-barbe-bleue-de-paul-dukas-au-theatre-du-capitole.html\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/mobile.france.tv\/spectacles-et-culture\/963573-ariane-et-barbe-bleue-de-paul-dukas-au-theatre-du-capitole.html<\/strong><\/a><\/p>\n<p>Die von der franz\u00f6sischen Kritik mit dem prix Claude Rostand ausgezeichnete Produktion ist noch bis Januar 2020 nachzusehen!<\/p>\n<p>Acclaimed by public and critics alike the magnificent production of Paul Dukas Ariane et Barbe Bleu of Theatre du Capitole Toulouse can be still watched on culturebox until January 2020!<\/p>\n<p>Regie Stefano Poda\/ ML Pascal Roph\u00e9\/ Ariane Sophie Koch\/Nourrice Janina Baechle<\/p>\n<p><strong><b><em><i>Elgar \/ The Dream of Gerontius <\/i><\/em><\/b><\/strong><b><\/b><strong><b>\/ <\/b><\/strong>June 15, 2015<br \/>\nThree Choirs Festival Chorus, Nordwestdeutsche Philharmonie\/Frank Beermann<br \/>\nAlfred-Fischer-Halle, Hamm, 13.6.2015<\/p>\n<p><strong><b>The Three Choirs Festival Chorus Takes <em><i>The Dream of Gerontius <\/i><\/em>Back to Germany<\/b><\/strong><\/p>\n<p>(&#8230;)also making her role debut was mezzo-soprano Janina Baechle. I\u2019ve heard her before as one of the soloists in Jonathan Nott\u2019s very good recording of Mahler\u2019s Eighth (<a href=\"http:\/\/www.musicweb-international.com\/classrev\/2013\/Dec13\/Mahler_sys68_71912.htm\">review<\/a>). Earlier this year she sang Wagner with Sir Simon Rattle. She has an impressive CV and it was not hard to hear why. She brought a rich, lustrous voice to the role of The Angel and she also demonstrated a fine degree of identification with the role. Hers was an impressive performance by any standards, committed and involving. I understand that this is a role she has long wanted to sing; I hope she will be given further opportunities to do so.<br \/>\n<a href=\"http:\/\/seenandheard-international.com\/\">Seen and Heard International<\/a><\/p>\n<p class=\"p1\"><span class=\"s1\">(&#8230;)Hingegen beeindruckte <b>Janina Baechle, <\/b> langj\u00e4hriges Mitglied der Wiener Staatsoper, in der Rolle des Engels. Sie meisterte den grossen Stimmumfang der Partie mit angenehmen Timbre von lange gehaltenen recht tiefen T\u00f6nen bis zu strahlenden Spitzent\u00f6nen. Grosse p-Kultur zeigte sie etwa bei \u201eThere was a mortal\u201c, wo ein Sterblicher die Wundmale Christi erleidet, und zum Ende, wo sie in einer Art Arie \u201elegatissimo\u201c und \u201edolcissimo\u201c, wie Elgar vorschreibt, von der Seele Abschied nimmt schliessend mit einem fast gehauchten aber bis zur 29. Reihe, wo der Verfasser sa\u00df, h\u00f6rbaren \u201eFarewell\u201c Auch war sie, soweit m\u00f6glich, textverst\u00e4ndlich.<br \/>\n<a href=\"http:\/\/www.der-neue-merker.eu\/hamm-klassik-sommer-der-traum-des-gerontius-von-sir-edward-elgar\" target=\"_blank\" rel=\"noopener\">Der Neue Merker \/ 15. Juni 2015<\/a><\/span><\/p>\n<h4>_________________<\/h4>\n<h4>Wagner \/ Rheingold \/ Symphonieorchester des Bayerischen Rundfunks \/ Sir Simon Rattle \/ Herkulessaal \/ 25. April 2015<\/h4>\n<p><em>&#8222;Wunderbar war Janina Baechle anzuh\u00f6ren, die der Erda mit profunder Altstimme hohe Autorit\u00e4t verlieh. Die Worte \u201eMeide den Ring\u201c hat man noch nie derart leise und verhalten geh\u00f6rt, was die Warnung der Urmutter noch intensivierte.&#8220;<\/em><br \/>\n<a href=\"http:\/\/www.deropernfreund.de\/sonstige-13.html\" target=\"_blank\" rel=\"noopener\">http:\/\/www.deropernfreund.de\/sonstige-13.html<\/a><\/p>\n<p><em>&#8222;Finally one of my highlights was Janina Baechle as Erda. With her really short appearance she was still able to capture the whole audience with her strong but still delicate mezzo voice. She was so mysterious and wondrous that one was barely able to breath because of excitement.She sang her phrases incredibly gently and especially her soft pianissimo on the final &#8222;Meide den Ring&#8220; was exceptional!! Seriously, what a voice!!&#8220;<\/em><br \/>\n<a href=\"http:\/\/operaticmusicologist.blogspot.co.at\/2015\/05\/richard-wagner-rheingold.html\" target=\"_blank\" rel=\"noopener\">http:\/\/operaticmusicologist.blogspot.co.at\/2015\/05\/richard-wagner-rheingold.html<\/a><\/p>\n<h4>_________________<\/h4>\n<h4>Mahler \/ Lied von der Erde \/ Stuttgarter Philharmoniker \/ Gabriel Feltz \/ M\u00e4rz 2015<\/h4>\n<p>&#8222;Janina Baechle zeigt ihr ganzes s\u00e4ngerisches Potential, ob es nun geheimnisvolles Raunen in der Tiefe, dramatische gro\u00dfe Intervallspr\u00fcnge oder strahlende H\u00f6hen sind.&#8220;<br \/>\n<strong>Werner Ziegler \/ Mainz Netz<\/strong><\/p>\n<p>&#8222;Ihr subtil gef\u00fchrter Mezzosopran modelliert die Melancholie des &#8222;Einsamen im Herbst&#8220; mit gro\u00dfem Einf\u00fchlungsverm\u00f6gen. Das symbolhafte Tableau des Gedichtes &#8222;Von der Sch\u00f6nheit&#8220; malt sie mit einer F\u00fclle farbiger Nuancen, und der &#8222;Abschied&#8220; ist von Anfang bis Ende in wunderbar ausdrucksvolle vokale Linien gespannt. Janina Baechle riskiert dabei durch h\u00f6chst differenzierte Tongebung auch einige Intonationsschwankungen, doch das schm\u00e4lert die interpretatorische Tiefe dieser S\u00e4ngerin keineswegs.&#8220;<br \/>\n<strong>Dietholf Zerweck \/ Esslinger Zeitung<\/strong><\/p>\n<p>_________________<\/p>\n<h4>Die Walk\u00fcre \/ Canadian Opera Company, Toronto \/ Februar 2015<\/h4>\n<p><strong><a href=\"http:\/\/www.nytimes.com\/2015\/02\/03\/arts\/music\/christine-goerke-as-brunnhilde-in-wagners-die-walkure.html?_r=0\" target=\"_blank\" rel=\"noopener\">The New York Times<\/a> (Anthony Tommassini): <\/strong><\/p>\n<p class=\"p1\">The rich-voiced mezzo-soprano Janina Baechle was engrossingly persuasive as Fricka.<\/p>\n<p class=\"p1\"><strong><a href=\"http:\/\/operagoto.com\/die-walkure-review\/\" target=\"_blank\" rel=\"noopener\">Opera going Toronto<\/a> (Ian Ritchie):<\/strong><\/p>\n<p class=\"p1\">Mezzo Janina Baechle is a stormy Fricka, seething and thunderous.<\/p>\n<p><strong><a href=\"http:\/\/schmopera.com\/in-review-die-walkure-at-the-coc\/\" target=\"_blank\" rel=\"noopener\">schmopera.com<\/a> &#8211; Opera from another angle:<\/strong><\/p>\n<p class=\"p1\">As Fricka, Wotan\u2019s wife, Janina Baechle was fantastic. She had a voice to match her strong presence, and I believed that she could convince Wotan to change his mind.<\/p>\n<p class=\"p1\">__________________<\/p>\n<p class=\"p1\">\n<\/div><\/section><\/div><div class=\"flex_column av_one_third  flex_column_div av-zero-column-padding   avia-builder-el-11  el_after_av_two_third  avia-builder-el-last  \" style='border-radius:0px; '><p><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Erda-Szene aus Rheingold &#8211; Symphonieorchester des Bayerischen Rundfunks \/ Sir Simon Rattle<br \/>\nAufgenommen am 24. April 2015<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-2-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2015\/04\/baechle_erda_rattle_BR.mp3?_=1\" \/><a href=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2015\/04\/baechle_erda_rattle_BR.mp3\">http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2015\/04\/baechle_erda_rattle_BR.mp3<\/a><\/audio>\n<\/div><\/section><br \/>\n<div  class='hr hr-default   avia-builder-el-14  el_after_av_textblock  el_before_av_image '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<div class='avia-image-container  av-styling-    avia-builder-el-15  el_after_av_hr  el_before_av_textblock  avia-align-center '  itemprop=\"ImageObject\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/www.janinabaechle.com\/wp-content\/uploads\/2014\/07\/Janina_Baechle-A_chloris1.jpg' alt='' title='Janina_Baechle-A_chloris' height=\"1600\" width=\"1600\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Reynaldo Hahn &#8211; A Chloris (in iTunes <a href=\"https:\/\/itunes.apple.com\/us\/album\/a-chloris-single\/id922259760\" target=\"_blank\">kaufen<\/a>)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-2-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2014\/07\/A-Chloris_16_44_eq.mp3?_=2\" \/><a href=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2014\/07\/A-Chloris_16_44_eq.mp3\">http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2014\/07\/A-Chloris_16_44_eq.mp3<\/a><\/audio>\n<\/div><\/section><\/p><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Janina Baechle - Mezzosopran - Janina Baechle<\/title>\n<meta name=\"description\" content=\"Janina Baechle - Mezzosopran mezzo-soprano Brang\u00e4ne Waltraute Brahms Liszt Wagner Akhmatova Rusalka Jezibaba Amneris Eboli Erda Fricka Azucena\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.janinabaechle.com\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Janina Baechle - Mezzosopran - Janina Baechle\" \/>\n<meta property=\"og:description\" content=\"Janina Baechle - Mezzosopran mezzo-soprano Brang\u00e4ne Waltraute Brahms Liszt Wagner Akhmatova Rusalka Jezibaba Amneris Eboli Erda Fricka Azucena\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.janinabaechle.com\/\" \/>\n<meta property=\"og:site_name\" content=\"Janina Baechle\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-02T08:20:23+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"8\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.janinabaechle.com\/\",\"url\":\"http:\/\/www.janinabaechle.com\/\",\"name\":\"Janina Baechle - Mezzosopran - Janina Baechle\",\"isPartOf\":{\"@id\":\"http:\/\/www.janinabaechle.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\/\/www.janinabaechle.com\/#primaryimage\"},\"image\":{\"@id\":\"http:\/\/www.janinabaechle.com\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg\",\"datePublished\":\"2014-07-11T06:39:17+00:00\",\"dateModified\":\"2026-03-02T08:20:23+00:00\",\"description\":\"Janina Baechle - Mezzosopran mezzo-soprano Brang\u00e4ne Waltraute Brahms Liszt Wagner Akhmatova Rusalka Jezibaba Amneris Eboli Erda Fricka Azucena\",\"breadcrumb\":{\"@id\":\"http:\/\/www.janinabaechle.com\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.janinabaechle.com\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"http:\/\/www.janinabaechle.com\/#primaryimage\",\"url\":\"https:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg\",\"contentUrl\":\"https:\/\/www.janinabaechle.com\/wp-content\/uploads\/2022\/11\/ordre.jpg\",\"width\":400,\"height\":485},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.janinabaechle.com\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.janinabaechle.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Janina Baechle &#8211; 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